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One grid, one ink

The notebook had a grid on the paper, another inside every card, and a three-colour gradient on every drawing. Taking two of the three away made it calmer and faster.

type
sketch
date
2 Oct 2026
reading
1 min
One grid, one ink: before
One grid, one ink: after
Drag to compare · before ← → after
  • CSS
  • Design tokens

Before: the page paper had a two-scale grid, every project cover and the contact panel drew their own grid on top, and the drawings used a blue → violet → teal gradient. Three textures and three colours competing for attention.

After: the paper is the only grid (one scale, fainter), cards are plain surfaces, and every drawing uses one ink colour. The orange --signal colour is kept for the one thing that matters in each view.

What changed in the code

  • styles/globals.css: the body background went from four gradient layers to two.
  • styles/tokens.css: --story-1/2/3 now all equal the ink colour, so every drawing follows without touching a component.
  • The grid textures inside project covers, post cards and the contact panel were deleted.

What I learned

  • Texture works once. Repeated at three scales, it turns into noise.
  • Tokens pay off: collapsing a gradient into one ink was a three-line change in one file.
  • Calmer also measured faster: scrolling the home page went from 89% to 20% main-thread time on a slow phone (most of that came from pausing animations, but there was less to paint, too).